In 1990, the young artist Sarah Lucas, among a notorious group of recent Goldsmiths graduates, embarked on a series of unswervingly confrontational photographic self-portraits. See available photographs, sculpture, and works on paper for sale and learn about the artist. Artist of 12 portraits, Sitter in 15 portraits. 1962) Self Portraits 1990-1998: (i) Eating a Banana, 1990 (ii) Divine, 1991 (iii) Self Portrait with Mug of Tea, 1993 (iv) Self Portrait with Knickers, 1994 (v) Self Portrait with Fried Eggs, 1996 (vi) Human Toilet II, 1996 (vii) Fighting Fire with Fire, 1996 (viii) Self Portrait with Skull, 1997 (ix) Got a Salmon On #3, 1997 Published 1999 by Sadie Coles HQ in an edition of 150. Sarah Lucas Self-Portraits. Self Portrait With Fried Eggs 1996 Sarah Lucas 1999. Introduction. Two of Lucas's early collages which post-date Eating a Banana, Divine 1991 (P78444) and Self Portrait with Mug of Tea 1993 (P78445), have been included in the group. Summary. Courtesy the New Museum. Free. Au Naturel 1994 Mattress, water bucket, melons, oranges and cucumber 84 x 168 x 145 cm ... Self-portrait with Fried Eggs 1996 C-print 167 x 119 cm 65¾ x 47" 1 - 123 - 123 - 12 - 12 1991 Boots with razor blades, size seven Dimensions variable The YBAs gained world-wide notoriety in the late 1980s and early 1990s by using shock tactics to court the worlds of commerce and celebrity. Lucas's group of twelve photographic self portraits have been reproduced digitally as Iris prints in an edition of one hundred and fifty. ... Sarah Lucas and Tracey Emin collaborated on “The Shop”—literally, a store they started together in … Past display archive 19 March - 11 September 2011. Sarah Lucas ('Self-Portrait with Fried Eggs') by Sarah Lucas Iris print, 1996 29 3/8 in. sheet: 119 by 81.5 cm. Many people identify with the portraits because the setups she uses are familiar. 49⅜ by 34¾ in. Artwork page for ‘Eating a Banana’, Sarah Lucas, 1990 Sarah Lucas has challenged sexual stereotypes in a series of provocative self-portraits. (746 mm x 515 mm) overall Given by Sadie Coles HQ, 2001 Primary Collection NPG P884(5) Sitter back to top. Summary of Sarah Lucas. 1962. View Sarah Lucas’s 276 artworks on artnet. SARAH LUCAS EXHIBITED AT THE SAATCHI GALLERY. She turns against the art-historical tradition of the female seductress or muse, and presents herself in a deliberately androgynous, and occasionally aggressive, series of poses. Although in a bold and somewhat daring manner, Lucas is out to start conversations in areas that many people would rather sweep under the carpet. Artwork page for ‘Eating a Banana’, Sarah Lucas, 1990 Sarah Lucas has challenged sexual stereotypes in a series of provocative self-portraits. More info; Use this image; Sarah Lucas ('Self-Portrait with Mug of Tea') by Sarah Lucas 1993 NPG P884(3) In this iconic series of twelve self-portrait photographs, the artist Sarah Lucas explores her own identity as a woman and as an artist over a number of years. framed: 125 by 88 cm. Sarah Lucas' "Self Portrait with Fried Eggs." Sarah Lucas (b. In these two images, as in the later Self Portrait with Fried Eggs 1996 (P78447), Lucas appears in the macho pose she has claimed as her own. Sarah Lucas (1962-), Artist. Sarah Lucas’s provocative and often humorous works challenge antipathies and assumptions towards the female body in mainstream culture and art.

Sarah Lucas is a contemporary British artist known for her kinesthetic photographs, performances, and sculpture. 46⅞ by 32⅛ in. British Council London, United Kingdom. They range from her first photographic self portrait, Eating a Banana 1990 (P78443) to the more recent Human Toilet Revisited 1998, which also exists in the Tate collection as a c-type print (Tate P78299). Joining the likes of Damien Hirst, Tracey Emin and Gary Hume, Lucas came to the public's attention as one of the foremost contributors to the Young British Artists (YBA) movement. Artist back to top. SARAH LUCAS. SELF PORTRAIT WITH KNICKERS. These self portraits were taken throughout the 1990s, and reflect shifting perspectives and perceptions of female identity. Lucas’s self-portraits similarly draw upon the animal and the edible to reveal not only dimensions of her interior life but also the exterior pressures placed upon it by virtue of her gender. From Phillips, Sarah Lucas, Self Portrait Mobile (1993), Four cut out photographs, string and metal, 90 × 22 cm A portfolio of 12 iris prints by Sarah Lucas. She turns against the art-historical tradition of the female seductress or muse, and presents herself in a deliberately androgynous, and occasionally aggressive, series of poses. From Phillips, Sarah Lucas, Self Portrait Mobile (1993), Six cut out photographs, string and metal, 97 × 33 cm Sarah Lucas.

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